Film Theory Essay Example | Topics and Well Written Essays - 1500 words

Film Theory - Essay Example guy wire does not accept the deal, but Bruno kills the wife anyway and he stalks Guy for payback. Auteur Theory The auteur theory of call for criticism views the music director as the master story teller. Each film is compared within a embody of work as well as on its own merits. The two main distinctions are the director is either structuring the film to interpret a proposition or to present a style, a performance. The conclusion of criticism thus becomes to uncover behind the superficial contrasts of subject and treatment a hard meat of basic and often recondite reports. The pattern formed by these motifs is what gives an authors work its particular structure, both delineate it internally and distinguishing one body of work from another. Nowell-Smith quoted (Wollen, 532) The underlying doubt regarding the validity of this theory questions the level of escort the director has over the film. Certainly screenwriters, producers, actors and cameramen (Wollen, 540) have some degree of input in the creative process. This collaboration of talent suggests the director can more easily structure the film through motif and patterns of motif than present a styled performance. In other words, the director is not simply a shepherd trail actors through a script he is an artist bringing context to the film using his signature style. In feature films, the director is God in documentary films, God is the director. Sir Alfred Hitchcock The most obvious poser of Hitchcocks quote involves the directors shot of Bruno choking Guys wife to death. Bruno begins to hamper her, knocking glowering her glasses. The shot then changes and the audience observes her death through her own lenses. The glasses were so thick and prominent, they defined her view. A more subtle, but major, example occurred when Guy had a tennis checker the day Bruno was to return to the scene of the crime and plant Guys lighter as evidence. Bruno hold up his departure to c oincide with nightfall Hitchcock views evil as operating in the dark. Guy honors his commitment to flirt the tournament he changes his style to win early. This strategy backfires and the match goes five sets, losing valuable time for Guy. however because he is the protagonist and a good person, Guy takes time to shake hands with his opponent and give thanks the chair umpire before a hurried departure. While Guy uses his best effort to win, he could have lost quickly, but he is honorable. Bruno drops the lighter down a sewer grate. The race to discover the lighter more quickly than Guy can win his match ensues. Neither contestant knows the emulation exists, but the director plays God with their lives. As Guy tries nobly to win quickly and graciously, Bruno fishes his hand in a storm sewer for his talisman of control. The merry-go-round (carousel) scene allows Hitchcock to turn an icon of childhood joy into a menacing deathtrap. Guy and Bruno fight for control of the lighter. Th e operator is shot and falls on the belt along control lever sending the carousel spinning much too fast. Bruno shoves a child off a horse and Guy takes time to save the boy. Bruno knocks Guy down and they wrestle under the horses galloping hooves. A maintenance man crawls under the deck to get to the controls, but stops the machine too fast. Bruno is trap in the wreckage, lighter in hand. Guy tries to persuade Bruno to confess, but Bruno stays evil to his death. In these scenes, Hitchcock demonstrates his theme of good is polite and brave, evil is manipulative, rude and a bully. He shows he